During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

Celal Aga, who covets all the lands in his region, seizes the lands of all the aghas and has his last rival Osman Aga killed. Osman Aga's wife Raziye gives birth to a son that night. To protect her son from the wrath of Celal Aga, who has another daughter, she gives him to Celal Aga's wife Asiye through Naile Kadın. Ömer is now the son of Celal Aga, the murderer of his father. The daughter born to Celal Aga's wife Asiye is a secret. Years pass and Ömer grows up as Celal Aga's son. Sultan returns to the town claiming to be Osman Aga's daughter and seeks revenge. Fate reunites two people born on the same night.

After releasing the Chupacabras, Leo San Juan decides that it is time to return together with his brother Nando to his grandmother's house. Halfway down the road, Charro Negro manages to confuse Leo and because of him, an innocent girl is dragged into the underworld. Leo is forced to repair the damage. His friends will come to try to help him and get out of there as soon as possible. But it is no coincidence that the Charro has chosen to involve Leo, his intentions go beyond getting a new soul.

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A dramatic retelling of the brutal double murder of Martha Broomham and her son Robert perpetrated by her husband George and his mistress Dorothy Newman on 23 February 1676.

In Roppongi, university student Koshiro is fascinated by the world of "black suits" when he meets Club Legend's number 1 hostess Miho and top staff member Hideto, and decides to join the world by getting a job at the high-class club himself.

1910 year. Mexican patriots are preparing an uprising against the dictatorship of Diaz. Young Felipe Rivera joins the revolutionary junta, whose father and mother were shot by dictators. The hour of rebellion is near, but the heroes lack weapons. To get the necessary amount of money, Rivera decides to perform in the ring against Ward, America’s strongest boxer...

Part of a multi-platform project highlighted by an hour long documentary about black filmmakers who worked and studied at UCLA between 1965 and the 1990s.

We came to the Robert Flaherty Film Seminar to present Jack Smith's film Flaming Creatures, although we were not included among the official guests. We slept outside and experienced Vermont night in our bones. The morning was beautiful and we all felt great, we felt we that we were the "Monks of Cinema." The eye-pod will give you another glimpse into my way of filming.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.